Friday Free Play : Yay Or Nay?

Friday Free Play : Yay Or Nay?

A question that has come up a few times over the last 12 months is over the concept of “Friday Free Play” sessions for children in school settings. This concept is often layered with prefixes ranging the titled “Free Play Fridays” to “Loose Parts Play Fridays”, “Risky Play Fridays” and “Nature Play Fridays”… The questions I receive are often predicated on the idea of the viability and success of this as an initiative to support more and better play in schools. Despite the almost always good intent behind such programs there are a few hiccups that can occur I thought sharing in an effort to foster some critical reflection on the topic. The anecdotes and examples are those shared from actual settings for consideration…

The Build Up: Often when play of a novel type is withheld, and then offered in short bursts it can cause heightened engagement with said play. Consider a child at their infrequent trip to an amusement park. This is no different from having the proverbial carrot of something fun waved at you all week. The irregular and build up offering of play on a Friday can lead a mad rush and heightened engagement. This is exacerbated further when these play sessions are relatively short further demanding to the child’s psyche to get stuff done and fast!

Hoarding & Competition: The build up can result hoarding and fierce competition over loose parts or other play resources. Competition and hoarding are a natural part of the play process. However, in natural play environments that are regularly visited children have time to develop patience, time to develop empathy, time to start considering things like sharing, compromise and so forth. The likelihood of these benefits occurring in a once a week scenario is dramatically reduced. Sadly, in pilot and new loose parts spaces this often even causes negative perception towards the resource itself as “not working” in the way the adults had desired.

Rewards & Punishments: Not a common one but far from the realm of nonexistence either is using end of week play as a reward system, or the other side of the coin, the lack of acces a punishment for other actions during the week. This approach is a slippery slope as play itself offers so much therapeutic and psychological outlet for children that denying it to a child based on misadventure or undesired behaviour becomes quite counter intuitive.

Children’s Rights: Further to the last, our own UN charter for the rights of the child demand play as a right. Not when your good, or when time allows, but as a basic and necessary human right. A right, cannot and should be used as a reward, or a punishment.

Revisiting Play Frames & Narratives: Friday provision almost always comes hand in hand with pack up scenarios. While this may be the present feasibility in a lot of settings, rich narratives and depth of play can simply take time, even beyond one play session. This is a huge piece of advocacy for leave out situations that children can evolve, grow into and refine.

Overall, hand on heart, a huge salute to any school setting currently experimenting with adding more play into the repertoire. Please just consider that finite offerings can cause more problems than they solve and spaces that are readily available and resourced on a daily basis (while coming with some initial perspective challenges), offer far more for the children, their experiences, and in the end the appreciation for the spaces by the adults that must manage and supervise them.

Angus Gorrie

Fit For Purpose…


During my time conducting professional development and mentoring in both early years and OSHC settings one frustration has been voiced on multiple occasions by educators and management who are passionate about loose parts but have struggled to advocate for and show an intentional approach when being assessed and rated. Now based on the many highly successful spaces in Australia, some rated exceeding and even excellent, fully immersed in loose parts and a Playwork approach we know it is possible… So, what’s the trick? The “trick” for lack of a better word lies in the dialogue and how we can reframe a resource that can by all accounts appear very unintentional and reimagine it as the most intentional way a Playwork inspired educator can meet the National Quality Standards and framework, be it Belonging, Being and Becoming or My Time Our Place.

The most common spanner that comes up while advocating for effectively a “junk playground” comes in the form of Quality Area 3, “Physical Environment”, in the National Quality Standards, or rather, interpretations of it. Now this is of no fault to anyone, including assessors as, if we, the educator/playworkers do not have an alternate perspective to offer then that is on us. However, I challenge you to consider that within the simple term, “fit for purpose”, we hold immense power over defining precisely what that “purpose is”.

Recently a Facebook post popped up from Kids World in Gilston, a relatively new and thriving adventure play space in the Gold Coast Hinterland and inspired me to get on the keyboard and put these thoughts down. Monique, an Early Childhood Teacher at Kids World posted a very, on one hand simple, yet on the other important question that went exactly like this…

Do you promptly attend to broken items in your playground? I used to as well, until I witnessed something peculiar. If I had immediately collected the torn-apart pool noodle and the empty paint bottle, would this play have unfolded in the same way”?

This question was accompanied by the below pictures showing a play relic of children. The pictures, and I am using the best of my deductive reasoning based on experience here as there may have been an entirely profound narrative going on, showed bits and pieces of blue pool noodle stashed or stored within a discarded paint container. As seemingly insignificant as such a little play frame may seem to the junk yard pessimist, consider how many 100s or 1000s of curious, creative, imaginative play frames like this never have a chance to take form in the first place due to various resources not being deemed “fit for purpose”. Indeed, if we only see the purpose of a pool noodle to be whole and intact, and a paint container purposeful until empty and then not, then this mindset will impede potential play, or the conditions for it. If we take a page from Monique’s book and start asking seemingly simple yet not at all questions, we may be able to entirely redefine what “fit for purpose” means. I ask you… Is the purpose of children to play? Then the below resources are doing a splendid job meeting their purpose in supporting this.

A standout memory and one that comes up in PD from time to time for me that cements this idea occurred in the Camp Hill OSHC Adventure Playground some years ago. The scenario revolved around one boy, a broken/incomplete (missing the front wheel) trike, and a broken Tonka crane. The boy in question was drawn to these resources and proceeded connect the broken trike to the broken crane. This resulted in a somewhat ridable vehicle, but one that took some effort, patience, persistence and gross motor engagement. Over the span of several weeks the boy mastered his capabilities to guide the vehicle until the point it appeared at face value simple to do so from the outside. His enjoyment riding this vehicle down hills into milk crates soon attracted other peers to which communication gaps had previously existed. Upon request, our young engineer gave the others a turn resulting in the peers being quite hopeless without the 3 weeks lead up and practice. This placed our original protagonist in a unique position as the expert, the person needed to help coach and guide the others through the use of his creation. The pride, enjoyment and engagement were hugely evident. In another setting these resources would have been binned and this story never would have been possible.

To further support the redefining of “purpose” we can also lean directly into our Frameworks for the early years and school age sectors. Plucked straight from the frameworks these comments regarding resources can all be harnessed for policy, QIP and documentation to ensure intentionality can be seen in otherwise apparently “broken” or “incomplete” resources…

·       …conserving resources and reducing consumption and waste

·       Resources need to reflect the breadth of age groups and interests, curiosities and capabilities

·       …provide rich and diverse resources that reflect children and young people’s social worlds

·       …plan experiences and provide resources that broaden children and young people’s perspectives and encourage appreciation of diversity

·       …provide a wide range of resources to develop and consolidate children and young people’s fine and gross motor skills

·       …Effective learners are also able to transfer and adapt what they have learned from one context to another and to locate and use resources for their own means.

·       …manipulate resources to investigate, take apart, assemble, invent and construct

·       …design environments that are flexible and provide resources that encourage children and young people to use their imagination and represent their thinking

·       …Additional needs: the term used for children who require or will benefit or be able to participate more fully from specific considerations, adaptations or differentiation of any aspects of the curriculum, including resources and the environment.

·       …Multimodal play: modes are ways or means of communicating meaning in some way so multimodal play is about children and educators using the many different types of resources and materials around them that can potentially be a mode to communicate and make meaning

In conclusion, “purpose” is a vague word subject to perspective. We have the opportunity to advocate affectively for children ensuring that we have a good and flexible capacity to speak to the “purpose” of loose materials, arbitrary materials, and materials that frankly, and beautifully, have not had their purpose made known to us… yet.

Angus Gorrie

Concerning The “Time” To Play…

When working in varied settings, a common frustration voiced by passionate practitioners who are invested in authentic play opportunities is the simple lack of time to deliver… In my 2021 work titled “A Curiosity About Links Between Adventure Playgrounds, Loose Parts, Playwork Approach, a State of "Flow" and Children’s Wellbeing”, this issue was discussed in the sense that not only was a lack of free time available, but also its steady decrease over time in Western countries.

“…the amount of time children have to use the limited spaces available has also declined. This reduction in play time is largely attributed to increased importance being given to schooling, and other adult directed activities (Gray, 2011). According to Gray (2011), in the United States, a combination of the school day and the school year increasing at the same time as recess or “play time” decreasing correlates with other Western countries. Armitage (2001), accounts that since 1971, play time in English and Welsh schools has nearly halved and Evans (2003) states that in Australia, a substantial decrease in the length of recess time, much of which is taken up by mandatory eating time, is typical”.

As a play advocate the first thing I would push back against is this reduction of time itself. When querying the reasons and intent behind reducing playtime for children the most dominant theme is simply a benign lack of appreciation for play and its fundamental importance to children’s lives and development. This would seem like a bold, even zealous (and I’ve been called it) statement to make… However whenever new pressures on teachers and educators arise through curriculums and frameworks it is almost always free, uninterrupted, unadulterated play that takes the cut. This evidences the hierarchical importance given to play under other pursuits, but at what cost? Risk aversion, largely subject to distorted perceptions of risk also lead to an impoverishment of learning and play opportunities for children (Gill, 2007). Of course, these decisions are made with the intention of doing good, educating, teaching, developing young minds… But what if by removing play, we remove the time that children need to develop any realistic capacity to put into practice any of their taught powers? Social, emotional husks filled with some academic information… Is that what we want for our children?

The suggestion, “providing more time to play”, comes across at first as an over simplified answer to the aforementioned conundrum. Upon suggesting this very approach, I have been told frankly it would be impossible. There is not enough time. Other things are more important. What would need to be sacrificed as a result. If there was not evidence to suggest this could work this would be a difficult question to answer empirically, despite much intuition and gut telling me it was so. However, there is evidence. Several schools we have been working with have significantly increased play time in their school day. This time has come from classroom time and the results… Well, they are sensational across the board. There is a huge amount of data showing that through increased play time, and an assumed ability to practice in their play, children are becoming more socially and emotionally apt. This has led to, in several cases, massive reductions in aggressive behaviour leading to suspension and office referral, higher school attendance rates, and improved general wellbeing of children. The compounding nature of these three things flows directly into to the classroom ensuring that although time in explicit teaching environments may be less, it is optimised and as a result the school I am referring to have noted significant academic improvement in their cohorts. This has been achieved all through, in addition to a genuine appreciation of play, the creation of more time for it.

In a regrettable absence of time there are some suggestions pertaining to the physical space I would suggest to perhaps enhance the opportunity for children to engage in play, and achieve “play flow”… One way to achieve this is by being very aware of, and potentially to enhance the play space in question with quality play cues. In their pivotal 1998 “Colorado Paper”, Gordon Sturrock and Perry else defined a play cue as, “the lure or invitation from the child to the surrounding environment to join in play productions of one sort or another” (Sturrock & Else, 1998, p. 13). Human to human play cues happen without much prompting, in fact try and stop them! However, the environment is something we can deeply consider to ensure it is optimised through our hunches and intuition to best cue or invite a play return.  Now even as I write this, I hesitate on phrasing it as if to suggest I would want to “speed up” the chance that that a cue would entice a child to play as this is laden with subjective opinion on what children should be doing. However, increasingly when engaged in play spaces that children can engage with for only short periods of time, optimising the play value, and the quality and number of play cue presents as a reasonable way to support the play process.

Some suggestions to ensure a space is well primed and ready to “cue play” that have worked very well in settings we have supported include:

·         Loose parts: To preach the old favourite loose parts are variable and adaptable meaning the environment is constantly changing. This ensures surprise or at least an opportunity for it in each play setting which is very conducive to engagement.

·         Leave out loose parts: Even better than loose parts, leave out loose parts. Leaving loose parts out ensures a space instantly cues engagement. Children either reengage with the relics of previous play frames, or, continue with their own play frames and narratives from previous play sessions. Leaving loose parts out, despite unpopular for mostly aesthetic reasons, also ensures more TIME is available to play, and number and variety resources (a crucial element in the Theory of Loose Parts) can be enhanced (Nicholson, 1971).

·         Mystery and a chance to discover: A large flat oval offers little chance of discovery. I am sure many readers can appreciate the innate desire to know what was around a corner, through a tunnel, under a bush. Harness this innate desire to discover.

·         Lean into trends: The latest trends and fads often perplex adults because they are not their latest trend and fad. At the end of the day however we all collected and fawned over something… Knuckle bones, marbles, dolls, yowies and tazos may have been supplanted by Pokémon cards, bayblades and other such paraphernalia, but the innate desire to have them has not. Nothing will cue play better than the things that children are already intrinsically interested in.

None of the aforementioned strategies can ultimately replace time as a critical need for children and play. However, perhaps some careful planning, reconsiderations of what really matters, and combining time and these ideas, could be of huge benefit the children we work with.

 

Angus Gorrie

Armitage, M. (2001). The ins and outs of school playground play: Children's use of 'play. In J. Bishop, & M. Curtis , Play today in the primary school playground (pp. 37-58). Buckingham: Open University Press.

Evans, J. (2003). Changes to (primary) school recess and their effect on children’s physical. Deacon University.

Gill, T. (2007). No Fear: Growing Up In A Risk Averse Society. London: Calouste Gulbenkian Foundation.

Gorrie, A. (2021). A Curiosity About Links Between Adventure Playgrounds, Loose Parts, Playwork Approach, a State of "Flow" and Children’s Wellbeing. International Journal of Playwork Practice, 2(1). doi:doi.org/https://doi.org/10.25035/ijpp.02.01.01

Gray, P. (2011). The Decline of Play and the Rise of Psychopathology in Children and Adolescents. American Journal of Play, 3(4), 443-463.

Nicholson, S. (1971). How not to cheat children: the theory off loose parts. Lanscape Architecture, 62, 30-35.

Sturrock, G., & Else, P. (1998). The playground as therapeutic space: playwork as healing. The Colorado Paper, (pp. 1-28).

Considering Pallets...


Pallets are a very useful resource for a variety of reasons that make sense in the creation of amazing play spaces. This little blog piece will aim to unpack some of the considerations we usually suggest to practitioners, be they early years, OSHC or schoolteachers, when seeking, using and managing pallets in play spaces.

Preliminary Considerations

As a resource, we (The Outsiders) often default to recommending pallets as a resource for a variety of reasons including:

Pallets are readily available and you will often be thanked for taking them off someone’s hands!

·         The Price Is Right: Pallets can usually be sourced either for free, or very cheap. Thus, subject to your time, and possibly a trailer, they are kind to your resource budget. In addition to budget, free items are much easier for practitioners to give wholeheartedly to the play space, and when in the future one breaks due to high use it does not cause great woe, and the practitioners generally find it far easier to let children experiment, construct and deconstruct far more.

Construction often leads to deconstruction...

Construction often leads to deconstruction as playgrounds evolve and change…

·         Space Formation: Pallets are phenomenal for creating instant play cues in the forms of nooks, crannies, hidden corners, and secret spots. These sorts of spaces are critical in a good play environment and pallets allow practitioners to turn an open sterile space very easily into a warren of potential liminal play conducive to narratives, imagination and creativity.

A quiet “nook” where narratives thrive…

            Workable: Ideal pallets for a play space are pine. This makes them easy for amateur carpenters to work with. This includes adults creating aforementioned nooks and crannies, and children wielding tools for the first time. Pine ensures manageable hammer and nail work and experimentation with saws, hand drills and chisels.

Soft pine pallets make it a lot more feasible for children to use tools effectively…

           Sustainable: Look this is usually more of an adult agenda than a kid’s one. However, for those looking for more meaningful and authentic ways to include sustainability in their program, often when using pallets (particularly soft pine ones), you are giving the item a second lease on life as opposed to a trip to the dump. Adult agenda or not, holistically we can also appreciate that children seeing items repurposed with great outcomes could easily inspire.

Selecting And Prepping Your Pallet

Selecting pallets seems like it would come down to whatever is available but there are absolutely some key things to look for.

Pallet versatility makes them amazing for pop up play spaces…

1.       First and foremost, many sites in Australia (including sites owned by the Department of Education) will have restrictions on bringing treated timber onto school grounds. CCA, an arsenic treatment to protect wood from white ants is the primary concern. These restrictions are not spoken of as much but are akin to asbestos containing materials. A neat hack is to seek out “Heat Treated” pallets (heat being the protective element as opposed to a chemical). Heat Treated pallets usually have a very clear a recognisable stamp which includes the letters HT. Our general advice is if in doubt don’t use it as you would hate to bring scrutiny on an entire playground due to one oversight.

An example of Heat Treated stamp…

2.       Next is to prep it for use in the play space. This step will vary greatly depending on your space, your age range of children, and your propensity for risk taking amongst the children. Very obvious hazards to remove are hang nails, especially rusted ones and excessively splintered wood (particularly as this effects structural integrity). The need to sand or not sand is a grey area… Some do and some don’t and there is really no answer and it usually comes down to one’s fear of splinters. If sanding is going to be included in your risk management this is actually a process often quite enjoyed by the children!

This pallet has been modified with the sole purpose of climbing and has thus been placed where there is soft fall…

3.       In regard to etiquette it is always good to reach out and ask for permission to take pallets rather than pick them up. Some pallets are actual property and distributors pick them back up for use so missing pallets can be a headache for some businesses. Untreated soft pine, or heat treated pallets however rarely fall into this category and often will be given with a smile as you may have saved someone a trip to the dump. Asking also allows you to ask for more in the future, build community connections (which may be a framework agenda), or even remove the grey area of whether a pallet is treated timber or not.

 Planning For Play

Asking how to set up pallet structures in a play space is quite literally like asking how long is a piece of string. If there was a set answer, the creative capacity and variability of pallets as a resource would be lost so get your creative juices flowing and experiment. Some key points to consider are:

1.       Think about those nooks and crannies discussed earlier. How can pallet structures best be laid out to become inviting a little corner that play frames evolve from?

2.       How can the existing space be incorporated as more than just an afterthought? Are there existing bushes, trees, stairs, gradients that can be harnessed to improve the play value?

Pathways and places to explore…

3.       Make your pallets moveable. This was something we ourselves learned through trial and error but fixing structures into the ground ensures their adaptive qualities are limited. Movable structures ensure savvy and engaged practitioners can reinvent the space, honing in on play trends and themes, areas of high use, areas of low use, cramped areas etc. Changing spaces where children are likely to play for many years is also a significant benefit.

4.       Be aware of the Australian Playground Standards. As guidelines, and with loose moveable structures there are grey areas in how strictly pallet construction needs to adhere HOWEVER to work in grey areas one needs to be able to expertly talk the talk. Definitely be aware of pallets presenting as ladder (palings running horizontally), entrapments, heights and soft fall requirements etc. Playwork spaces can use processes such as Risk Benefit Analysis, and Dynamic Risk Assessment but the team does need to understand these processes beyond the paperwork.


Overall pallets are an accessible, affordable and versatile resource limited only by the imagination and creativity of practitioners and children, or the lack of basic knowledge pertaining to regulations and playground requirements. Hopefully this little piece has been informative in inspiring the former and answering the latter.

Angus Gorrie

Hello Playwork My Old Friend! A welcome addition to the revised My Time Our Place Framework for School Aged Care

On Monday the 24th January 2023 there was great news for the playwork sector of Australia… The release of the updated and revised framework for school aged care, My Time Our Place (MTOP). The original MTOP document was a first of its kind for school age care in Australia, a significant deal at the time firmly establishing the OSHC sector as different from, and as important as early years education. However the document was dated and it was with much excitement that the sector itself was engaged to contribute to this revision, the very sector that had been using it, engaging with it, and understanding the benefits of the challenges. As part of that engagement, numerous “playworkers” threw their hats in the ring and contributed their thoughts, several of these making there way into the new publication.

First and probably most obvious to all those that have perused the document is a very deliberate and proud inclusion of the term “Playwork” in the glossary (DEEWR, 2022, p. 67). Now, not only is this exciting as it is the first time playwork has been legitimised as a legitimate way of working with children in the OSHC (or any other) sector in Australia… But the definition itself is quite sensational.


(DEEWR, 2022, p. 67)

As a playworker working within an OSHC setting there are aspects of this definition worth unpacking. First of all, the significance of the word “affective”. Much too many university assignment markers dismay “affective” and “effective” can sometimes be used interchangeably in our vernacular much to the detriment of the actual meaning. When we are affecting the environment, we are dealing with inceptions, birth places and beginnings. This is an excellent thought to ponder for the outcomes or “effects” focussed educators. As a playworker this is music to my ears as this allows more thought towards creating spaces and supporting practice that leads to infinite games and possibilities, rather than planning a finite, desired outcome. The unpredictability of this “affective” approach has in the past caused conundrum for OSHC educators in how they explain their application of the framework to accessors… Now, the explanation is embedded in the Framework!



Furthermore in the definition of playwork comes the suggestion of “affecting the whole environment”. This lends itself to the notion that practice starts well before children are even present, and the “affordance” of space and the various “play cues” a space projects are considerations that are important ones for an OSHC educator to consider. These ideas also lend a helping hand (potentially) for educators advocating for their spaces within a school to stakeholder (school faculty, P&Cs, education department). Affective spaces can be seen not as niceties to be begged for by the playwork inspired, but rather necessary for OSHC practitioners to deliver the Framework. Last but not least this creation of affective environments is described to improve opportunities to play. Not for play and learning. Not for play and leisure. Not for play and physical development. Play for plays sake has been given its appropriate place in the national framework for school age care in Australia and that’s a milestone!

Another significant aspect of change between MTOP 2011 and MTOP 2022 is the increase in the understanding of risk as it presents in play. In fact, not only has the word count for risk gone from 3 to 12 between documents, but the specific term “risky play” gets a mention, and even more interestingly as an outcome for children having a strong sense of wellbeing (DEEWR, 2022, p. 51). This is powerful as risk is often shunned and relegated to the world of physical risk, despite most risk children engage in being social and emotional. Although the previous framework did mention risk, it was not specific to play where children can learn to tackle risk by first being able to detect it, make active decisions it, overcome it, all a self-motivated way. This is not to suggest educators in Australia become flippant with the idea of risk and its provision but we can lean further into playwork practice on this… Consider Playwork Principle No 8 (PPSG, 2015):

8: Playworkers choose an intervention style that enables children and young people to extend their play. All playworker intervention must balance risk with the developmental benefit and well-being of children.

Thus, the often championed but rarely official tools of “Risk Benefit Assessment”, and “Dynamic Risk Assessment” now become highly relevant to Australian educators in the delivery of the framework. Another huge stride for playworkers in OSHC settings who have been applying these approaches for a while.

Deeper down the rabbit hole of playwork specific theory and practice we can also see the inclusion in the glossary of the Play Types (DEEWR, 2022, p. 67).



One of the first academics in the playwork realm, the late Bob Hughes is responsible to the citation of this inclusion and it should get some thought provoking critical reflection going amongst teams (Hughes, 2002). Many of the play types can challenge educators in all settings for a variety of reasons. Perception around play types such as rough and tumble play for example often elicits great debate, usually emotive without applying a critical reflection and evidence to the potential benefits.  Deep play is another than cause a stir, the definition being:

“Play which allows the child to encounter risky or even potentially life threatening experiences, to develop survival skills and conquer fear. This type of play is defined by play behaviour that can also be classed as risky or adventurous”. (Hughes, 2002)

The inclusion of the play types is rather ground breaking as it encourages educators to see play as far more than smiling happy games. Play can involve conflict, adversity, challenges and so it should, as it is ideal that children should engage with these emotions in play when the stakes are low, rather than in real life when they are high. What this also allows us to do is throw out the window the idea of “good play” or “bad play” on focus on the play that just “is”. If we as a sector can do that, and appreciate that despite perception there may a function to this play type, we can understand and support play better and more broadly.

Without going down an absolute rabbit hole for a short blog piece (you will need to read up on Haekel (1901), Hall (1904) and Reaney (1916) to learn more), the separation of “Recapitulative Play” from the 16 into its own definition of the glossary is also interesting and likely to create much discussion and reflection. While the definition in the MTOP 2022 (p. 68) is descriptive, an unpacking of the deeper theory will break it down into the categories: animal, savage, nomad, pastoral and tribal, will take some in depth understanding of the older biological theories of play, especially as recapitulative play appears as a suggested outcome in Outcome Two: Children and young people are connected with and contribute to their world (DEEWR, 2022, p. 45).


Last, but certainly not least is a subtle easter egg that would be easy to miss unless you are a vocational playworker or playwork inspired. In MTOP 2022, play itself gets a definition in the glossary which in itself is significant being that MTOP 2011 only defined “play based learning” in its glossary. But the definition may be familiar to some of you…

While being an entirely apt definition itself, especially proposing that play is not a nicety, a fun thing to squeeze in between the important stuff, but rather FUNDAMENTAL to individuals and communities, the playwork origins of this definition come straight from the Playwork Principles themselves… Playwork principle No 1 and 2 state:

1: All children and young people need to play. The impulse to play is innate. Play is a biological, psychological and social necessity, and is fundamental to the healthy development and wellbeing of individuals and communities.

2:Play is a process that is freely chosen, personally directed and intrinsically motivated. That is, children and young people determine and control the content and intent of their play, by following their own instincts, ideas and interests, in their own way for their own reasons.

I am sure it is not hard to trace the lineage of our new Australian MTOP 2022 definition.

Overall, it will honestly be interesting to see what happens next for playwork in Australia in a school age care context. This new framework is presently being cheered by many already playwork inspired educators in Australia and has already, if our emails are to be intercepted correctly, causing a new wave of curiosity. However… Will it be supported, can deep running perception be overcome, will communities support a move to this delivery of care for children? I would suggest that these are questions are the same ones that float around in the playwork community universally and always have and it is into that larger global community we will be able to lean on to glean some insight.

From an OSHC context, if there are any practical or theoretical aspects of getting started in playwork you would like to discuss… Just reach out!

Regards

Angus Gorrie

 

DEEWR. (2011). My time, our place: Framework for school age care in Australia. Canberra : Commonwealth of Australia.

DEEWR. (2022). My Time Our Place: Framework for school age care in Australia V2.

Haekel, E. (1901). The Riddle of the Universe at the Close of the nineteeth century. London: Watts & Co.

Hall, S. (1904). Adolescence: Its psychology and its relations to physiology, anthropology, sociology, sex, crime, religion, and education. New York: Appleton.

Hughes, B. (2002). A Playworker's Taxonomy of Play Types (2nd ed.). London: Playlink.

PPSG. (2015). The Playwork Priciples. In The Playwork Principles Scrutiny Group. Cardiff.

Reaney, M. J. (1916). The Psychology of the Organised Game. Cambridge: Cambridge University Press.

What are the best loose parts?

As simple as the title question may seem, it is also profoundly important and constitutes, at least in the early stages of professional development and mentoring the most commonly asked one. With this in mind, I thought I would put some thoughts on paper to assist with the basics (at least as far as we perceive them), but also layer some deeper thinking into this query lest we perpetuate the current and real risk of over standardising loose parts (that statement is such paradox it hurt my head to write but the risk is real)!

With the update of the My Time Our Place Framework in Australia, and the inclusion of numerous playwork ideas, including “playwork” itself being added to the glossary, there is a strong chance that right now this is an important question to be asking. First of all, it must be made clear and firm that playwork and loose parts are not synonymous. There are playwork projects around the world that do not provide loose parts as a resource, and I can certainly attest to the fact that there are loose parts being used (at least in namesake) in many settings that do not playwork. However, in an Australian context they are often found together due to playworkers recognising the magic in Simon Nicholson’s (1971) theory on this subject and a truly manipulatable environment being one so conducive to the play opportunities for children.

So… What are the best loose parts?

From the moment we ask that question we run the very real risk of adding tremendous subjective to the entire thought process. Defining the “best” loose parts leads our mind down the track of having an expectation as to how they will be used. This is quite counter intuitive to the overarching theory behind loose parts, and their amazing potential to be non-descriptive, abstract, and allow for divergent thinking, rather than convergent. Therefore, perhaps the best answer I could give to the aforementioned question is… “I wonder”?

Now being an adult passionate about loose parts play and the theory supporting it, it is very easy to default to answering the title question, armed with the experiences I have and the spaces I have frequented. Thus, the answer may be the standard list of items; pallets, milk crates, bread crates, tarps, cable spools, pots, pans… I am sure you can all relate to this list. Now, none of these loose parts are bad, if we can even apply the term good and bad to loose parts in the first place, and I would not discourage anyone from sourcing them… But what a creation of these lists does support is the creation of multiple play spaces, with the same resources, carbon copied out all over Australia and beyond. Simon Nicholson (1971) stated in his theory of loose parts that….

“In any environment, both the degree of inventiveness and creativity, and the possibility of discovery, are directly proportional to the number and kind of variables in it.”

There are a lot of great take aways from Nicholson’s work but this phrase is often what I suggest is the biggest clue to resourcing a loose parts environment. In layman’s terms what does this effectively mean… Well in short… Different types of stuff… And a lot of them. If we search market place for pallets, or put a call out to parents for toilet paper rolls, while being a start, it will ensure we forage or receive a lot of similar stuff converging the potential of these resources in play. As challenging as it may be, it is the stuff we have never even considered, and cannot potentially predict a use for, that may make the very best addition to the space.

Another risk of the carbon copy loose parts playground pertains to the idea of external attribution theory and how this applies to children and their play (Heider, 1958). In their play children will often recreate their worlds and the narratives of their worlds as they understand them. Thus, a good loose parts play space could be said to have both a level of the divergent, the unpredictable and arbitrary, but maybe also the potential for sense to be made. It is common after all to see the children of seaside towns building boats and fishing, the children of country stock farming hunting and mustering, and urban children building cafes and shops (as well as prisons, bars and any number of other stimulus) … All these pursuits are examples of external attribution as the children take ideas from the outside world that are ever relevant to them and bring them into their play.  

Bare in mind, the way in which children attribute the outside world is deeply subjective and personal, based on their own experiences and exposure to stimulus, and we as adults would be foolish to guess at the unique subjective of a mass of children. This further exacerbates the need for the space to be flexible to meet many different needs, many different dramas, many different experiences. The access via digital media to the great wide world also ensures that although the aforementioned observations of seaside, country and urban children may be true, they may also be fighting aliens, riding dinosaurs or solving the world’s climate crisis.

Whether they are playing out actual realities, or externally fuelled attribution, we also need to leave room for the most amazing resource out the there… The imagination and creativity of a child’s mind which I lack the ability to give examples of as to do so would limit the scope that this encompasses. Thus, each space, and the resources within them need to be real and responsive, to the culture, geography, and going ons to whatever community it resides in, while at the same time leaving that very real need to “to wonder”… Something a carbon copy expectation of loose parts will struggle to do.

So to summarise this piece, be intentional in your search for loose parts, your own experiences as children, and viewing other play spaces will give you hints to what might be appreciated and harnessed into a narrative. However, leave yourself open and vulnerable to surprise and mystery and be really OK with not having all the answers…

In short maybe the question should not be…

What are the best loose parts”..?

But rather…

I wonder what will be the best loose parts”..?

 PLEASE NOTE: The pictures in this piece are from a wide range of spaces in Australia and beyond, early years and school age, pop ups and permanent spaces… These are provided to inspire, but also to challenge as growth, development and critical reflection rarely happens in our comfort zones… ;)

Angus Gorrie

 

Heider, F. (1958). Psychology of Interpersonal Relations. New York: Psychology Press.

Nicholson, S. (1971). How not to cheat children: the theory off loose parts. Lanscape Architecture, 62, 30-35.

Robinson, K. (2008). The Element : How finding your passion changes everything.

Proposing A Play Type: Clandestine Play

Dedicated to Bob Hughes…

One of the main takeaways from listening to the late and great Bob Hughes talk about the 16 Play Types was his lack of total rigidness in their existence. What do I mean by this? Without being able to recall the wording verbatim, Bob articulated well that there could be 12, there could be 20, the point was not the exact number of play types, but rather the capacity to see play through a broader lens. A line I like to use in PD and discussion is play does not always look like two children, holding hands, skipping and smiling. This may “be play”, but it does not encapsulate “all play”. This is important as it allows deeper reflection on much of what children do and frame it as play. It may not be play we subjectively like, but it still may be play. From this logic we can (and I am sure Bob would) also make an evolutionary case for the play types that each serves a function and thus, love them or not, the function may service an important developmental purpose.

Now this is easy for most practitioners when superficially looking at play types like Dramatic Play, Social Play, Fantasy Play and so forth. However, many practitioners I have worked with get quite uncomfortable when they come up against some of the other, less “fluffy”, play types… For example:

• ROUGH AND TUMBLE PLAY: Close encounter play which is less to do with fighting and more to do with gauging relative strength. Discovering physical flexibility and the exhilaration of display. This type of play can burn up a lot of energy.

• DEEP PLAY: Play which allows the child to encounter risky experiences and conquer fears, like heights, snakes, and creepy crawlies and face potentially life-threatening situations. Some find strength they never knew they had to climb obstacles, lift large objects, etc.

And if they get down to the bones of what it is all about…

• RECAPITULATIVE PLAY: Play that allows the child to explore ancestry, history, rituals, stories, rhymes, fire and darkness. Recapitulative play follows our own evolutionary journey. The theory relates the evolutionary stages to the contemporary context as follows:

Animal: children interacting with the elements, digging, picking, water etc.

Savage - cruel interaction with other species (actual & imagined)

Nomad - ranging for mental mapping, roaming, wandering

Pastoral - mastery play e.g. gardening, houses, shops, farms

Tribal - membership of gangs and clubs, villages, trading

A paradox here is that while the above-mentioned play types can cause more head aches for practitioners, it often the power struggle, narrative or dispute buried in the fluffy play types that can lead to more supervisor woes. One thing that a deeper understanding of the play types has always done for me is to at least paint a clear statement that when discussing and reflecting on play we should not get caught up on the black and white notion “good play” and “bad play” as “play” is about in every possible manifestation about as grey as it gets.

So enter the idea of proposing a play type… Now this is somewhat of an amusing story for me as its inception was back in 2012 when the play types, as a theory, as a piece of literature were first introduced to me. I enjoyed them immensely, the scope, the variance, the putting into words what seemed innate and correct about the play I was witnessing of a regular basis in a well populated playground. However somehow, I glitched. Somehow, while reading and digesting the 16, I fabricated one in my head, one that stuck, one I used in conversation and reflection for over a year before searching for it and finding it was completely absent from Hugh’s taxonomy. The play type I had fabricated (I had a literal memory of it being there but oh well) was “Clandestine Play”.

Clandestine Play was defined in my mind as that sort of sneaky, subversive, nefarious play that children engage in, sometimes directed at each other, but often directed towards the obvious authority in a play space… The adults. Within Clandestine Play were all the tenants of a play type that would make educators uncomfortable as it not only suggested a lack of control by the adult, but potentially a direct challenge to it. However, ironically for my personal practice I found great solace and calm knowing that this play type existed (even though it didn’t from a theoretical stand point). For me, like rough and tumble play or deep play, understanding that this sort of behaviour by children might be innate, normal and possibly even serve a function makes it something to ponder and understand rather than be intimidated by it.

Caption: Consider entire toy lines exist to cater for sneaky, cheeky and otherwise nefarious play…

Now by knowing this play type may exist, by no means am I implying the adults in a space, playworkers or not, throw caution to the wind and let children carry out and get away with bloody murder. On the exact contrary, if the play itself is predicated in pushing up against boundaries, does it not make sense then for a playworker, whose very roll is to support the play process, to establish these very barriers? There is some interesting work by Arthur Battram in the area of The Edge of Recalcitrance that may support this notion. So, what’s the point? Are we just back to having rules or barriers? The point is that as a playworker we can appreciate that the barriers will be pushed, and that’s OK, even normal, and not take huge adult ego inflated offense to these occurrences. This frames how we approach ongoing dealings with these children and how we frame them, and the intent of their play in our mind.

Battram, A. (2008). The Edge of Recalcitrance: Playwork in the zone of complexity. In F. Brown, & C. Taylor, Foundations of Playwork (pp. 88-94). Maidenhead: Open University Press.

Hughes, B. (2002). A Playworker's Taxonomy of Play Types (2nd ed.). London: Playlink.

Hughes, B. (2006). Play Types: Speculations and Possibitilities . London: The London Centre for Playwork Education and Training.

Hughes, B. (2012). Evolutionary Playwork and Reflective analytic practice (2nd ed.). London: Routledge.

Reaney, M. J. (1916). The Psychology of the Organised Game. Cambridge: Cambridge University Press.

The Playwork Gathering 2022

This blog post is the reflection of OSHC educator Bethany Stevens and his first journey to the Playwork Gathering…

Playworkers from far and wide…


I began working in childcare 5 months out of high school, after 3 years working in hospitality. It would be safe to say that I initially thought of my hiring like an escape into an easier field of work (I’d already been babysitting for 4 years). It’s safe to say I was completely wrong. Not only is it not easy, but it is a job that, to do successfully and we’ll, you need to understand a lot of the research and theory around it. Despite my shattered expectations, I found myself in a field of work I could never imagine leaving and found a passion for working with children.

A strange lot Playworkers

A strange lot these Playworkers

The service managers at my centre would set up professional development sessions, ranging from how to support children with challenging behaviours, all the way to being able to fit programming and practice within the My Time Our Place standards. When we had a few sessions run by Angus from The Outsiders Play Advocates on Playwork, I found myself enthralled and wanting to know and learn more. I found out about the Playwork Gathering through these sessions, and myself and a few people knew this was something we had to go to. Not only would we be finding out more about Playwork, but we’d be meeting other people from different centres who shared our interests and our want to be able to better support our OSHCs’ children.

Well this is interesting…

Seven of us paid for our own tickets out of our wages because we wanted the opportunity to be able to attend. The Gathering steadily arrived… and was rain checked due to COVID. That was okay, we were happy to wait the extra few months. However, those few months turned into years and, in the time it took for the camp to actually happen, that group of seven people turned into a solo one, as all of my co-workers that planned on attending moved onto other fields of work and other centres. I was starting to feel extremely anxious about going. As a person that suffers from social anxiety, going into a camp full of people I had never met before seemed terrifying. Upon getting there I realised I had nothing to be worried about. Playworkers are some of the most welcoming and kind-hearted people you will ever meet. Even the speakers were super welcoming, excited to share their knowledge with all of us. We were all here for one purpose, to learn how we can improve the play opportunities of the children and better support them within our centres.

Angus Gorrie from Camp Hill OSHC and The Outsiders speaking to the dangers of adult agendas in play…

You would think that sitting down in back-to-back sessions would start to get boring, yet I found myself engrossed in every minute of it. Each session followed and argued the same point: “Playwork is good” (The theme of the 2022 Gathering). From how it is done in other countries, the processes of playing, and how to fit it within the guidelines we have to follow as OSHC workers; to the personal experiences with play work, and how to overcome and convince those objecting to it of its importance.

By the end of the camp, it was clear how important Playwork is. I found myself taking note after note, so I could bring it back to my own centre and help to implement it there. Sometimes, it’s easy to look at what you do and wonder if it makes a difference. By the end of the camp, I realised how important it was for playworkers to fight and push for children’s need to play, and how every person who decides to do that can make a difference. I came away wanting to educate the rest of my centre and ready to share my passion for Playwork with my co-workers, and anyone who would listen. But I also left with one more thing; connections and friends that I hope to see at the next Playwork Gathering and the next Wickerman.

If you know you know…






By Bethany Stevens






Spaces..? Or Places..?

“Love” a sculpture by Ukrainian artist Alexander Milov… A beautiful representation of adult physical disconnect and children’s innate emotional desire to connect.

Working in the industry of “play” one tends to hear the term “Play Space” thrown around very frequently. This makes sense, as to facilitate play for children we need somewhere tangible to do so. As a Playworker, the Playwork Principles we use for guidance talk about “spaces”, twice actually, in both principle 5 and 7 where it suggests that a Playworkers role is support children in the creation of a space, and that the Playworker recognises their impact on the play space respectively (PPSG, 2015). I have to at this point wonder if on both accounts the wording would benefit from being “play place”. From an anthropological perspective space is often defined by a more clinical, scientific, or measurable conceptions where on the other hand place refers to the elaborated cultural meanings people invest in or attach to a specific location, their stories, their rituals, their journeys and their experiences (Lawrence-Zuniga, 2017). Thus, to me, “place” describes much more adequately where play occurs.

A lot of thought goes into spaces to support the doing of “things” when sometimes children just want a place to be.

The risk of not considering the deeper nuanced aspects of “space” that turns spaces into places is ending up with the factory line approach to play provision. Tangibly this manifests as off the plan playgrounds that require no more thought than how many square meters it is going on; adding prefixes to play such as “risky” or “active” and assuming these can be controlled and compartmentalized; or educators providing provocations to direct the child towards a pre-determined outcome. All of these are forms of adulteration, the negative input by adults into the play, and actively work against the full potential and flow achievable in play that occurs in “places” (Sturrock & Else, 1998). The benefits of considering these nuanced aspects are boundless. Places offer endless to potential to create worlds, narratives and emotional experiences. This is important, emotional connections to learning and experience results in optimal development and the ability for this to happen in place goes far beyond a clinical overview of space (Vygotsky, 1971).

Adventure Playgrounds like St Paul’s cannot help but invoke a feeling of tremendous emotional connection… A world to explore and discover.

Herman Hertzberger (2001, p. 193) states “Whatever space and time mean, place and occasion mean more. For space in the image of man is place, and time in the image of man is occasion”. In this quote is the crux of this rambling. The one missing ingredient from planning a “space” are the humans that will inevitably occupy it. What will be their emotional response and engagement to space be, what occasions may be had and will this evolve into a “place” for play, or merely a “space” children transition through at some point? If we hold these ideas and consider them in the geographic realms in which we provide play opportunities for children then we will be far more likely to observe journeys had and stories made, rather than the meeting of superficial outcomes and ticked boxes.

Height is one of those compliments to space to easily leads to an emotional connection whether cognitively acknowledged or not.

Think “play places” not “play spaces”…

Angus Gorrie


Hertzberger, H. (2001). Lessons for Students in Architecture.

Lawrence-Zuniga, D. (2017, March 30th). Space and Place. Retrieved from Oxford Bibliographies : https://www.oxfordbibliographies.com/view/document/obo-9780199766567/obo-9780199766567-0170.xml#:~:text=Space%20is%20often%20defined%20by%20an%20abstract%20scientific%2C,or%20attach%20to%20a%20specific%20site%20or%20locale.

PPSG. (2015). The Playwork Priciples. In The Playwork Principles Scrutiny Group. Cardiff.

Sturrock, G., & Else, P. (1998). The playground as therapeutic space: playwork as healing. The Colorado Paper, (pp. 1-28).

Vygotsky, L. (1971). The psychology of art. Cambridge: MIT Press.

Involving Children in Documentation: to do or not to do?

Since I began working with children nearly 20 years ago we have been required to keep documentation of their play/learning. This is not a new thing but over the years it has changed personally for me. At first I was strongly opposed to documentation, arguing that it was taking away from our time and ability to implement a meaningful and authentic program and patronising our practice of teaching. Over the years I have come to see the purpose in some documentation (when done correctly considering the above in terms of its function and role in becoming a play and child development expert and am now a supporter of the still disputable practice*.

 There is one thing however that still doesn’t sit quite right with me and that is the trend of involving the children you are documenting in the documentation process. This involves asking them what they are doing, showing them photos of themselves and asking them any further questions regarding feelings towards that observation. Basically getting the child to reflect on their play or experience.

 In the field of playwork the definition of play is “personal derived, freely chosen and intrinsically motivated” (PPSG, 2015). If it is not this, then it is not play. But to be able to do this, children must feel as though they can! They must be welcomed into an environment that have, as Gibson (1979) would define them, affordances that offer them this rare opportunity of free play. Therefore, we must ask ourselves “what can we do to create this environment?” a lot of it is tangible; creation of areas, resources, such as loose parts as per Nicholson’s (1971) theory of, or Sandseter’s (2007) 6 elements of risky play etc. But the rest and just as important is the intangible things like, time and space away from adults not in a physical sense but mentally. The creation of a place where children don’t feel judged or measured.

 When Wendy Russell, long term playworker and professor in the field came to Australia to speak at a PD she mentioned that play must be frivolous to have meaning (Russell, 2017). This means that we need to keep it frivolous. By forcing children to analyse their play or even simply showing photos of it with them automatically removes the frivolity and forces them to overthink something that should not be overthought. One of the eight playwork principals is to be a play advocate which means protecting play in the above definition (PPSG, 2015). When we are out on the floor, we should be protecting play frames not interfering or prying for outcomes. This is also true in a much broader sense. I can imagine some might say “what about asking them after they finish?”. This is still not protecting play. This is patronising play. To truly honour and protect play we must respect it enough to leave it be.

 Finally, I’d like you to imagine (as an adult) if you were with your friends or even just at work and a psychologist came with you and documented your interactions and movements, took photos of what you were doing the entire time and then asked you about it. Really just think about how uneasy that would make you feel.

 “Could you please leave me alone?” I’d say (probably not that politely either)

But children can’t say that. They just have to answer and become bleedingly aware of themselves which begs the question “Am I creating narcissism or anxiety?

If we ever do involve children in documentation we have to ask “who is it for?” “What is the true purpose of it?” All we may end up doing is stripping away the magic, taking them out of that liminal play and pulling them into an adult world of hyper analysis and judgment. 

To become expert in our field we should be observing play. Document it, sure. Discuss it with your team, sure. But please do not involve the child. At the most it can be detrimental, at the least its just down right annoying.

Lucy Ada

 *see Outsiders blog February 17th for more information regarding the detriments of digital documentation

 

 

 

Gibson, J. (1979). The Ecological Approach to Visual Perception. In H. M. Harcourt, The Theory of Affordances (pp. 127-137). New Jersey: Lawrence Erlbaum Associates .

Nicholson, S. (1971). How not to cheat children: the theory off loose parts. Landscape Architecture, 62, 30-35.

PPSG. (2015). The Playwork Principles. In The Playwork Principles Scrutiny Group. Cardiff.

Russell, W. (2017). PD At Camp Hill OSHC. Brisbane, QLD.

Sandseter, E. (2007). Categorizing risky play—How can we identify risk-taking in children’s play? European Early Childhood Education Research Journal, 15(2), 237-252.

Height for height's sake…

Does your playground or space offer opportunity to achieve a sense of being up high, for no other reason than just to be there. Height is an interesting psychogeographic yearning most young humans have and it is a classic example of something so innate it is almost impossible to describe “why” we seek it. For those in doubt, consider the sense of achievement many adults have at climbing a hill or mountain for no other reason than to be at the top. This accomplishment won’t feed you, won’t necessarily make you friends, and it is doubtful it will make a significant addition to your resume. But who cares, it is something you want to do and you will do it! If we consider play spaces in the same way we can start at their bare geographical bones and provide opportunities that meet needs deeply rooted in our evolution and even possibly genetic make up.

Consider that deep innate need children have is not necessarily something children will report to you, or offer as a suggestion to well meant questioning such as “what would you like in your playground”? Questions like this can futile and much like an occupational therapist not expecting a child to request metal bars to swing on so that they may develop their vestibular systems, a playworker may need to simply understand these innate desires as givens and ensure great spaces provide outlets. In my career as a playworker this has possibly been the greatest development in my practice, the goal to cease reacting to behaviours, and create spaces, cues and psychogeographic hints to meet a vast myriad of them.

Picture Credit: Islington Adventure Playground

Leading expert and children’s play, especially how they innately choose to engage with risk in the playground, Ellen Sandseter (2007) suggests that children will often intrinsically strive to achieve great heights while playing. Doing so aids them, among other things, in their growing ability to face fears and develop confidence. This development is compounded by the sense of “risk”… Despite being the perceptive challenge for many adults it is “the risk”, or potential to be hurt that causes caution, that makes children careful and consider each placement of hand and foot. These skills are rarely innately honed in sterile spaces.

So once again… Does your play place offer opportunities to feel the sensation of height? Are these intended or mere afterthoughts? Are these spaces dedicated to being high for the sake of being high, or are they transitory places, on one side a ladder, on the other a slide? This often creates conflict as differing, but equally legitimate needs and play frames (the desire to move quickly up a ladder and down a slide vs. simply desiring to “be” in a high space), are put at odds with each other. Overall it is the fact that this is a legitimate, yet sometimes unexplainable need to the end user that ensures that we, as playworkers should use our skills to provide opportunity.

 

Angus Gorrie

 

Sandseter, E. (2007). Categorising risky play—How can we identify risk-taking in children’s play? European Early Childhood Education Research Journal, 15(2), 237-252.

Some musings on the dangers of digital documentation…


As someone who is privileged enough to visit dozens of early learning, OSHC and school settings all over Australia, it is sometimes palpable the themes and trends that circulate through these sectors as a whole. Sometimes, like the increasing explosion in the value of play for plays sake, they are a delightful wave to ride as a tangible dawning of respect and appreciation for play growing in educators is extremely satisfying for a Playworker! However, sometimes these trends are less than ideal. One that has been growing recently, I suppose in correlation with the social media age, is an increased demand, and expectation, for copious digital documentation of children, their play and their learning. Now less than ideal is not direct criticism at digital documentation itself, digital resources like apps are merely a tool after all, but rather how and why they are harnessed. Sadly, a large portion of this style of documentation is a by-product of well-meaning parents and thus this blog has been designed to give some critical perspective on why for the health and wellbeing of your children this, a reliance on this form of communication, and pressure on educators to provide it, may not the best course of action.

 

Firstly, and maybe most obviously is what sort of play is disrupted for the sake of pictures to be taken? Play exists as a cycle, commencing in a metaludic state, and progressing through cues, returns, the development of a play frame and ideally the establishment of play flow (Sturrock & Else, 1998). Play flow is not guaranteed but it is essential to the healthy development of humans as it is quite literally the antithesis of anxiety, fear of failure, boredom and loss of interest (Csikszentmihalyi, 1990). There is much an educator or playworker can do to support flow state, however, these things are subtle and nuanced aimed directly at supporting the play process and not, as Play Cycle theory dubs it, the adulteration of the play. In short, calling a halt to play, or requesting a look at the camera for a smile is nothing short of adulteration. It may result in a lovely picture, but consider, over time, increased lost opportunities to operate in a flow state, not only a state devoid of anxiety and boredom, but also one of optimal learning.

 

Another depressing by-product of incessantly photographing play for documentation is the reality that we cannot capture everything. Thus, where do educator’s subjective opinions and biases (that we all have) lie? Who determines what will make a “good” learning story vs what goes under the radar? For a child lost in an incredible yet imaginary world, which is quite unphotographable, does this suggest to them subtly that their experience holds less value? Less as it is not worthy of a picture? Does it position the self-conscious child to repeat “the thing” that they know will get the attention and the picture taken? As an educator and playworker who has also worked at the teenage end of the childhood spectrum I can promise the parents out there that you do not want to train your sons and daughters at an early age to play up to the things that will get them the most attention on digital media platforms. Research suggests this sort of behaviour can evolve as narcissism and self-objectification in males and females respectively (Seidman, 2015).

 

Direct feedback from educators in the industry is perhaps the most depressing and affirming criticism of how and why digital documentation is used. Parental pressure for this medium, why they want it, and how much they get has reached ludicrous proportions in some settings. I have been regaled with stories from many settings such as one educator being abused by a parent because she only received two pictures of her son in a day but she had it on “good authority” that another parent had received three. Another comment was that parents complain if the pictures are not “happy play pictures” that they can share with their friends. This is an unrealistic expectation and poor documentation as development includes fun, but also comprises of trials and tribulations worthy of documentation and reflection even if they are not an “instagram moment”. Our educational frameworks, whether it be in the early years or school aged care define documentation as something that helps educators evaluate children’s learning and assist them in their planning cycles (ASECQA, 2009). It is not a highlight real showing cherry picked moments and, treating it as such breeds strong apathy and dissatisfaction in educators towards the process of documentation itself. This is yet another loss ultimately for the children.

 

Add to these three aforementioned points a playwork perspective:

 

* Playwork Principle 4: For playworkers, the play process takes precedence and playworkers act as advocates for play when engaging with adult led agendas. (PPSG, 2015).

 

This sort of documentation, when used as relayed to the author, serves only adult purposes and not even well. As opposed to critiquing a broad spectrum of learning (good, bad and otherwise) and allowing for real planning to occur, it can lead to superficial efforts to tick boxes and in many cases, used a marketing gimmick to compete in a competitive sector. The hardest pill to swallow for parents, and sometimes educators alike is that sometimes we are not meant to know everything going on in play. Many play types such as recapitulative play, imaginary play, fantasy play and more need to remain a bit of a mystery to be special (Hughes, 2001) (Leichter-Saxby, 2009). Many adults can relate to this by remembering that their most treasured, imaginative, magical world in play as a child very rarely included an adult! Documentation can be done to support this, by analysing spaces, themes, resources, and how they all work to support the play process. This documentation can even make amazing conversation and email dialogue with parents interested in the deeply subtle and nuanced realm of children’s play and development. These play types, and all their associated benefits will not however manifest with a camera in the face.

 

Angus Gorrie

 

 

 

ASECQA. (2009). Being, Belonging, Becoming. Retrieved from The Esarly Years Learning Framework: https://www.acecqa.gov.au/sites/default/files/acecqa/files/National-Quality-Framework-Resources-Kit/belonging_being_and_becoming_the_early_years_learning_framework_for_australia.pdf

Csikszentmihalyi, M. (1990). Flow: The Psychology of Optimal Experience.

DEEWR. (2011). My time, our place: Framework for school age care in Australia. Canberra : Commonwealth of Australia.

Hughes, B. (2001). Evolutionary Playwork and Reflective analytic practice. London: Routledge .

Leichter-Saxby, M. (2009). Children’s Places of Secrecy and Play: A Playworker’s Guide to Dens and Forts. Islington Play Association.

PPSG. (2015). The Playwork Priciples. In The Playwork Principles Scrutiny Group. Cardiff.

Seidman, G. (2015). Are Selfies a Sign of Narcissism and Psychopathy? Retrieved from Psychology Today.

Sturrock, G., & Else, P. (1998). The playground as therapeutic space: playwork as healing. The Colorado Paper, (pp. 1-28).

 

The possibilities of a play cue…

Nooks and crannies in a play space are inviting, hold mystery and support deeply imaginative play…

The origin of the term play cue, as it will be discussed in this blog piece, stems from the work of playwork theorists Gordon Sturrock and Perry Else. It is a construct, and segment of the Play Cycle, a concept first proposed in “The Colorado Paper” (Sturrock & Else, 1998). As a playwork practitioner The Play Cycle has served many beneficial roles in the development of my practice. Years ago, it helped shape how much further I could vision play, then it became a useful template for documenting and planning to support play preemptively, proactively and by supporting dysplay and limiting adulteration.  Since then, it has been a resource and concept shared with fellow practitioners to allow them to best support play that is unbelievably and magically subtle and nuanced, and even support play that has yet to be!

Do something with this space!

From an evolutionary and even old school play perspective I would suggest traditionally there was probably not much need for adults to give a thought to the idea of play cues in the least. When children were able to roam their landscapes, be they woodland, rolling hills or streets and playgrounds, the world was rich with an abundance of play cues to meet just about any predisposition. There were trees to climb, alleys to explore, ponds to skim rocks over, shady nooks to rest, relax or fall into a fantastical world. However, as time has progressed and a more ordered (possibly more cost effective and risk adverse) approach has been taken to the design of places children play it has become part of a playworkers role to consider this. Play spaces themselves have had much of the mystery removed by becoming progressively flatter and more rectangular, and the interesting extremities, the threshold spaces becoming “out of bounds” (Armitage, 2001). Add to this a dramatically reduced amount of time for children to play in the spaces provided, and the rich wonderland and scope of past opportunity seems greatly depleted.

In many cases children are restricted to blocks as short as 25 minutes for play and this in itself places immense emphasis on the importance of a ludic ecology that provides ample and varied play cues for children. Sturrock and Else (1998) describe in their unpacking of The Play Cycle a state called Metalude. This Metaludic state can be considered a state of pre play, of reverie, of being open to potential. If children are to have any hope of achieving a progression from the metaludic state through to play flow in a mere 25 minutes, the environment has a lot of work to do. This needs not be explicit adult instructions on what to play and where to do so, in fact as a playworker I would suggest this is entirely not the approach take. Instead consider the implicit affordances of the space in question, the resources available, the inviting nooks and crannies, the shady quiet spaces, and the open fast moving spaces. Do all these spaces exist? What is the interplay between them? Do the resources suggest an adult has set me up? Or do the resources suggest “do something with me”! In these ways, and more, a space can be primed to be rich with play cues before players are even in said space. These considerations by the playworker, as Bob Hughe’s (2001) suggests, creates an enriched, as opposed to impoverished environment, one that promotes plasticity of the brain and optimal brain development.

Neuro plasticity helps children see the “anything” in the arbitrary…

Despite an ideal play space probably not needing adults and their considerations many spaces children exist are less than ideal. It is thus a playworker, in adherence to Playwork Principle 4; “For playworkers, the play process takes precedence and playworkers act as advocates for play when engaging with adult led agendas”, that is obliged to push back against reckless impoverishment of places children inhabit. If these considerations are not made, play deprivation is the likely outcome, and potentially catastrophic results to children and their development as a result (Hughes, 2001). To avoid this outcome, environmental cues to support a myriad of dispositions are something a playwork inspired practitioner  needs to consider, long before play commences to enrich their spaces, and the potential experiences of the children in them.

 Angus Gorrie : Playworker

Armitage, M. (2001). The ins and outs of school playground play: Children's use of 'play. In J. Bishop, & M. Curtis , Play today in the primary school playground (pp. 37-58). Buckingham: Open University Press.

Hughes, B. (2001). Evolutionary Playwork and Reflective analytic practice. London: Routledge .

Sturrock, G., & Else, P. (1998). The playground as therapeutic space: playwork as healing. The Colorado Paper, (pp. 1-28).

Trading & Swapping: Headache Or Gains?

At present in Adventure Playground, I work Pokémon is in a popular cycle. Pokémon, like any trading or gaming mechanism comes with its fair share of trials and tribulations and the question does on occasion get raised, "should it be banned"? From a Playwork perspective we do not have the luxury of being subjective about these sorts of things and we need to think about the bigger picture. In the case of cards and trading, the cyclical nature of this play alone (the fact that it comes and goes and is evident in all play settings) tells us two things:

1: There is most likely an evolutionary and developmental function to this play.

2: Banning it only ensures the rapid coming about of the "next thing" to cause these issues groundhog day style with no lessons learnt.

So, what could be the function of this sort of play?

First of all, in addition to the occasional issues that arise, I observe frequently: communication; negotiation; compromise; attribution of value; friendships and social interactions arising well outside of regular peer groups; patience; the development of resilience and maybe slightly more controversial, occurrences of manageable conflict. Conflict gets a bad wrap in the "care" industry and of course, there are many types of conflict we mitigate and/or seek to avoid altogether. However, some conflict, in a play context, is absolutely critical to laying the foundations for conflict management with real, harder hitting issues that will arise when the children are older.

Thus, despite the many obvious, and more easily managed functions of this play, it is possible that these debatable and negotiated disputes are one of the most important functions to set the children up for success in the future. The small catch that can make these things hard to watch and manage from the outside is that it cannot feel fake or tokenistic to the children. They need to "care" enough to have genuine emotional connection to the play, without that emotional connection being strong enough that they are moping over the card they lost at the age of 8 when they are 16. This is the value of trinkets, collectables and trends that children are drawn to and collect like bower birds but come and go in phases.

Another trend is that of cooling off periods for trades. This in my personal experience has no positive outcomes for the play and actually some significant negative ones. For example, children are free to be flippant with their trades knowing they can always change their mind which in reality causes more conflict between traders. The advice here would be to instill the idea in the children to be very mindful of the trades they make as they will stick. This, I am sure as adults you can appreciate, is a lesson better learnt over a trading card or similar rather than many scenarios when the option to "take back" a decision is not available later in the children's formative years,

In short, we can ban Pokémon cards (or the trend of the time) or take a more punitive approach to policing them. However, this will neither solve the play drive to engage, nor impart the very real and functional skills to the children this play drive was meant to do. We can however take a responsible approach to facilitate these play opportunities, give the time and space for them to play out, and be engaged and present if additional support is required.

Angus Gorrie

Playworkers In Schools: A musing on potential

Playworkers In Schools: A musing on potential

Relieving burden from teachers, creating opportunity for children…

 

Picture: A scene from Ascot State School’s Playground, a school that has invested in applying a Playwork approach to how they view, and manage their Prep to Grade 2 space.

Picture: A scene from Ascot State School’s Playground, a school that has invested in applying a Playwork approach to how they view, and manage their Prep to Grade 2 space.

The Issue:

Schools are a place of learning, no doubt, but by default they are also a place of children, possibly in the largest regular concentration of both time and numbers they exist in our (Western) society. This simple fact creates challenges for school institutions as despite being primarily a place of education and learning, from a developmental and evolutionary perspective we know that there are many other factors critical to the physical and psychological moulding of a successful human being. Now it is not that teachers are naive to this fact. On the contrary, most teachers we, as The Outsiders, have worked with exclaim immense frustration at the juxtaposition of what they “know” is important for the children, and what the increasing burdens of curriculum and societal expectations demand in regard to how they allocate their time to the children, and as a result how the children spend their time. Sadly, among other issues, this frustration is one of the contributing factors to the acknowledged rise of dissatisfaction within the teaching industry at present.

Often, as a result of the aforementioned burdens on time the first casualty is play. This is not really surprising, as not only is play easy to trivialise, but arguably, it has not always been a school’s responsibility to afford children quality play. We do not have to gaze back far to see a time where school days were shorter, holidays were longer and far less pressure of an extracurricular nature existed. According to Gray (2011), in the United States, a combination of the school day and the school year increasing at the same time as recess or “play time” decreasing correlates with other Western countries. Armitage (2001), accounts that since 1971, play time in English and Welsh schools has nearly halved and Evans (2003) states that in Australia, a substantial decrease in the length of recess time, much of which is taken up by mandatory eating time, is typical.

So, what is the big deal? What are the ramifications of a decrease in children’s self-directed and self-motivated play? Some of histories great minds give a wealth of nice quotable sentiments pertaining to the value of play including:

“The creation of something new is not accomplished by the intellect but by the play instinct.” – Carl Jung

“Play is the work of the child.” – Maria Montessori

“Almost all creativity involves purposeful play.” – Abraham Maslow

"Play is the highest form of research". - Albert Einstein

In addition to these inspiring sentiments, evidence suggests that in the absence of freely directed and motivated play is born many of the ailments that seem to be rapidly on the increase, from a lack of resilience and growth mindset, to an increase in depression, anxiety, and general apathy towards to responsibility (Gorrie, 2021). From these perspectives, it is reasonable to conclude that although the primary focus of the institution of school may not be play, play should, with a view of the holistic development of the whole child, at least be more than a secondary consideration.

Picture: Viewing a potential play space from a Playwork perspective, like the team at Eagleby South SS are doing in this picture goes a lot deeper than choosing a playground from a catalogue. Space, feel, nooks and crannies, everything gets consideration and all for good reason.

Picture: Viewing a potential play space from a Playwork perspective, like the team at Eagleby South SS are doing in this picture goes a lot deeper than choosing a playground from a catalogue. Space, feel, nooks and crannies, everything gets consideration and all for good reason.

A Solution:

The solution in suggestion is not overly complicated and is one with precedent in countries other than Australia. This suggestion is to introduce Playworkers as a recognised and valued position within a school’s staffing dynamic. Playwork, as a profession revolves around supporting all children and young people in the creation of a space in which they can play. As simplistic as this may first sound, the ability to successfully achieve this, let alone in a school wide capacity is dependent on a wealth of knowledge and experience on children’s physical and cognitive development, play and play types, the nuances of physical space and what opportunities space can afford and complex understanding of risk benefit analysis just to name a few elements of a Playworker’s repertoire. In a school setting, the scope of a Playworkers lens would extend far beyond the range of the fixed metal jungle gyms and designated play/recess times to add overall benefit to the ludic ecology of the school site.

Picture: The play leadership team from Berrinba East State School engage with Playworkers from The Outsiders Play Advocates. Although Play development training and support like what we offer exists, nothing could surpass a dedicated on site Playworker.

Picture: The play leadership team from Berrinba East State School engage with Playworkers from The Outsiders Play Advocates. Although Play development training and support like what we offer exists, nothing could surpass a dedicated on site Playworker.

The addition of a Playworker, or Playworkers into a school’s staffing dynamic would ameliorate two major issues, but no doubt have a trickledown effect elsewhere. First and foremost, it would practically and tangibly announce the belief in the value of play and its place within a school context. When something is obviously valued, it can be taken seriously and ceases to exist in the periphery of culture and action. This in turn is the catalyst for respect… Respect for the adults who do value play and seek to champion it, and respect for the children who already innately seek out these experiences. Secondly, it removes one more burden from teachers and their already overloaded list of expectations. A common challenge exclaimed to us as play advocates when working within school faculties is that committing to play and a change of culture is just one more thing most classroom teachers do not have time for. It is sad, but an understandable sentiment when in most school settings supervision of play is rarely seen as facilitation, affording opportunity or meeting social and emotional needs but rather as a timetabled chore that happens instead of a break and most commonly referred to as a “duty”. What a boon for teachers to have staff dedicated to this time, able to communicate in articulate ways to going ons, the benefits occurring for the children and plans to improve these. Welcome to the mindset of our hypothetical Playworkers.

So how could this suggestion and addition to staff be achieved? In the absence of funds forthcoming from the department of education to support such a worthy cause, or at least not until a successful evidence base was established, it seems not without precedent that the school P&C, or P&F could consider this opportunity. By definition, P&Cs among other things, “assist the teaching staff in establishment of school policy and management in all facets of school activity”. Much like the subcommittees within P&Cs that see merit and fund raise for Chaplaincy programs which benefit children and their well being, it does not seem far fetched that an equal consideration could not be directed towards play, the benefits of, and the staff that are the catalyst for its ideal provision. Consider also, the conversations around funding playgrounds, in some cases with dollar values in the 6 digit figure realm that ultimately are fixed equipment, often suiting limited age groups, and with an aesthetic to meet adult agenda. Consider on the contrary, expert well considered advice as to these expenditures aimed at benefiting the most children possible, derived through an understanding of their specific and changing needs in the most variable and dynamic ways. Once again, benefits possible with a Playworker on the team.

Picture (Credit St Mary’s Primary School Rockhampton): The trouble with play is there a lot buzz words. Loose parts play, nature play, risky play… These all fall short without a deep understanding of what play is, what function it has, and how to best facilitate.

Picture (Credit St Mary’s Primary School Rockhampton): The trouble with play is there a lot buzz words. Loose parts play, nature play, risky play… These all fall short without a deep understanding of what play is, what function it has, and how to best facilitate.

One limitation to this plan surmounts others in regard to it becoming a reality. This is simply, due to the current niche application of Playwork within Australia, available and experienced Playworkers are a rare commodity. However, this becomes somewhat of a chicken and egg argument as what the Playwork industry needs is more legitimate professional opportunity to keep the many talented play enthusiasts in the industry practicing their skills. Thus, as bold as a plan like the one described above may seem, it is its implementation that will fuel and maintain the workforce and specialist skills that are required for it to be sustainable. With that in mind this article is aimed to be the sparking of a metaphorical flame, a seed planted that will hopefully take root first as conversation, then maybe as action. If any representatives of P&Cs or similar vested bodies exist out there that would like to discuss what this could look like, how this could work and what the many benefits to your children could be, please do not hesitate to reach out.

Angus Gorrie

Playworker

The Outsiders Play Advocates

Some Playwork Resources

What is Playwork: https://playworkfoundationorg.files.wordpress.com/2016/03/no-14_what_is_playwork.pdf

Guidance On Playwork: https://www.playscotland.org/play/playful-learning/information-on-playwork/

The Playwork Principles: https://www.playwales.org.uk/eng/playworkprinciples

 

Armitage, M. (2001). The ins and outs of school playground play: Children's use of 'play places". In J. C. Bishop & M. Curtis, Play today in the primary school playground (pp. 37-58). Buckingham: Open University Press.

Gorrie, Angus Ian (2021) "A Curiosity About Links Between Adventure Playgrounds, Loose Parts, Playwork Approach, a State of "Flow" and Children’s Wellbeing," International Journal of Playwork Practice: Vol. 2 : Iss. 1 , Article 1. Available at: https://scholarworks.bgsu.edu/ijpp/vol2/iss1/1

Evans, J. (2003). Changes to (primary) school recess and their effect on children’s physical activity: An Australian perspective. Deacon University.

Gray, P. (2011). The decline of play and the rise of psychopathology in children and adolescents. American Journal of Play, 3(4), 443-463.

The Multifarious Nature of Play

In the over compartmentalised nature of time these days, including children’s time, play has suffered. To make play fit into part of the schedule, there is ever increasing need to justify the need for it, be it physical health, education, or therapy. In other words, an increasing perceived need to apply an adult agenda to it. This is often done with good intentions, sometimes not, but either way it has the potential to limit the actual multifarious nature of this thing called play. Whether or not the intentions in applying an adult agenda to play are good or bad, one thing is for sure and that is that play is becoming increasingly “delivered” to children in an entirely calculated and extrinsic way. As playworkers who ideally uphold the idea that play should be freely chosen, personally directed, and intrinsically motivated this presents somewhat of a problem.

In his later years, psychologist Lev Vygotsky purported the idea of Perezhivanie, a Russian word best translated as “a lived experience”. In simple terms Perezhivanie suggests that learning occurs more easily, or more meaningfully, when there is an emotional connection to the learning, due to the fact that a real experience has been had. In effect a penny drop moment. The only problem with this idea is that most Western interpretations of this to lead to quotes like "children learn more when the experience is a joy"... Now this statement is not wrong, but extremely limited in both understanding of play, and of experiences children are likely to have, and learn from.

Consider this quote by playworker Morgan Leichter-Saxby:

Play gives us the chance to mediate between primary and secondary emotions - to experience anger, disgust, shame, happiness etc within the safety of a play frame we construct and control. This process can be risky emotionally as well as physically, for example when we swap insults with friends, or go through rituals of initiation or goodbye, or face our fears to climb a high platform and look out. As Dr. Spock said, “a child loves his play not because it is easy but because it is hard.” It is important to remember that what makes a particular element of play “hard” may not be visible from the outside”.

This quote paints a quite different and much broader idea of what could constitute a Perezhivanie moment experienced in play. In addition to potentially being a joyful moment, the moment might leave one red faced, flustered, frustrated, challenged or even angry and upset. These additional emotional connections that all children will experience in their play are equally important as the joyous ones and so children need to learn how to manage and deal with and overcome them. The challenge in children realizing these innate lessons however lies in the fact that adults, through their agendas are unlikely to extrinsically facilitate play that results in these sorts of emotions. This, in its essence is precisely why we need to allow play to remain intrinsic, to allow children to retain power over the content and intent of their play. Consider, what very real learning and occurrences of Perezhivanie moments may be squandered if we do not.

While discussing this very topic with playworker Marc Armitage he made the relevant statement… “If play is for anything in particular, the likelihood is that it acts as a mechanism that brings together numerous, sometimes seemingly unconnected, elements into one place at one time, and makes sense of each of them through the connections that are created from them as a whole. That means that when we see play through the lens of just one agenda, we are missing the very point that makes play such a powerful behaviour”. Agendas, especially when singular, are an extremely extrinsic force. Extrinsic agendas often lead to children being told what they should experience, not living the experience, and thus missing the opportunity to experience a Perezhivanie moment. As adults we must trust in the play process, we must remove ego and accept that in play, children will create situations which excite emotions when they are ready to tackle them and in ways they feel they can. This trust can come hard however as, in the words of John Holt:

To trust children, we must first learn to trust ourselves… and most of us were taught as children that we could not be trusted”.

Angus Gorrie

 

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ON TEASING

As educators, we see it often and it can be a difficult task navigating the complexities of what is right or wrong, healthy or damaging in todays ever changing world.

But when is teasing ok? Is it ever more than ok? Could it actually be of value to our lives and society as a whole?

This article by Dr Peter Gray is an oldie but a goodie. Have a read and let us know your thoughts!

VIEW ARTICLE HERE

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Supporting Resilience

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A scary global trend, particularly in western countries is the severe decline in the resilience of children.

Resilience is the process of adapting well in the face of adversity, trauma, challenges, threats, or significant sources of stress such as family and relationship problems, serious health problems, or behavioural and academic stressors at school. It means “bouncing back” from difficult experiences. Although a playwork approach supports the development of resilience among many other positive social and emotional traits, unless these are supported across the board results can fall short.

Low resilience in children can often be identified when they:

• Often give up too easily

• Lack initiative

• Deal with failure badly

• Blame others when things go wrong

• Want you to solve their problems

• Fear failure or consequences, so use avoidance strategies

• Overtly negative perception to stimulus

• Strong external locus of control

We would like to share some strategies and open-ended questions that have worked to promote resilience while still being able to weigh in as a parent or educator:

1. Nurture Optimism: This seems so obvious, but we often see parents/carers fall into the mood of an upset child. Truth be told I have seen children become infinitely more anxious/distressed because they are mirroring their parent’s reaction. Obviously, children see their parents as a person worth modeling and if that is the default behaviour it becomes the go to. As a person working with children, it is very easy in the case of a meltdown, injury, or irate parent to feel stressed, even angry, but it is very important to remain at face value calm for the children’s sake. This face value effort does translate to real confidence as we master it.

Questions to support: If a child has had an average day, especially caused by another child, instead of deeply delving into the “bad” ask about what might have gone right during the day and if that comes up with naught ask what might be done to ensure a better result tomorrow. Once again, I know this seems simple when laid out like that but, as a well-meaning caregiver or parent it is very hard to remove the desire to dig into the negative.

2. Model Resiliency: When children see obvious anxiety and distress on parents or other adult’s faces when they share their story, they immediately feel irrevocably validated that they were right to be fearful, anxious, or distressed themselves. Now “maybe” they were right to feel this way, at least a little anyway… But often these situations are complex being based more on an unconscious assumption, perception, or even straight-up false information.

Questions to support: In a confident but caring way phrase the possible other perceptions that may have led to a situation. Not only does this help build empathy but also executive function as it demonstrates to the children that there are often more ways to look at a situation than theirs. What you are hoping to achieve here is not necessarily undermining a child’s point of view at all, but rather understanding why someone else was or can be, for lack of a better word, annoying. Sometimes understanding these things alleviates half the worry that surrounds it.

3. Nurture A Growth Mindset: This just refers to not getting bogged down in negativity. Today might have been bad, but tomorrow doesn’t need to be. Reinforce that. This works for the antagonist as well. Reassuring a child that the other person can change can alleviate the hopelessness of believing they will always be subject to whatever the negative behaviour may be.

Questions to support: Remove the negative and focus on what could be done the next day. Maybe even bring the other party into the conversation, what could be done to help them be happier (most bullying/antagonizing behaviour is a result of frustration or anxiety after all). This once again supports empathy and a long-term solution.

4. Help them build their problem-solving toolbox: This is great for conversational reasons and empowerment.

• What would [someone who they see as capable] do?: This could be as “actual” as another playworker or yourself or as random and arbitrary as Wonder Woman or Super Man!

• What has worked before?: Most children have most certainly demonstrated the ability to overcome some challenges thus far so these experiences should help their future interactions.

• Say as many ideas as you can in two minutes, even the silly ones? Lay them on me. Go!: This can make a bit of fun out of an average situation and nurture that supportive light side of the situation.

• How can we break this big problem into little pieces?: Slices are easier to deal with. These everyday strategies have been highly successful in our play spaces and we hope they may help other children expand their emotional capabilities in other arenas.

Angus Gorrie

Lord Of The Flies?

During my time working in a large well resourced loose parts playground I have, both affectionately and not so much heard the space referred to as an environment that incites images from “The Lord Of The Flies”. The novel of this name written by William Golding in 1954 is an interesting one as was written at a time in psychological history where many were seeking to answer important questions about the darkness of people’s subconscious and potential. It is this underlying theme of the novel that always made me feel uneasy by the comparison to our play space, as if made by someone who had actually read the book, it would imply it was only a matter of time until someone got speared or worse!

Some time ago I was listening to a pod cast interview of evolutionary psychologist Dr Peter Gray when the interviewer questioned him about the rather free range approach to learning he purports and, like many before compared such an environment to “The Lord Of Flies”. Gray, promptly and with wit quickly shut such a suggestion down pointing out that:

a: It is interesting that in this scenario the children depicted succumbing to relative evil where in fact children who had come out of a military academy, regimented and ordered, denied the freedom to play and to learn based on their pursuit of intrinsic motivations such as Gray champions.

b: Despite the books critical acclaim… The book is fiction.

The significance of this point, the fact that the book is fiction recently popped back into mind when reading a true life account of 6 boys marooned on an island for a considerable amount of time. I will not paraphrase the results of this real life “Lord Of The Flies” scenario but rather invite you to read by clicking the link below to give full credit to the author. I will however state that this alone should be enough to question those “stories”, “fictions” and dare I saw it “fears” that can guide our reactions and perceptions.

Link: The Real Life Lord Of The Flies

Angus Gorrie

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PLAY MEMORIES

When I was a child I used to play on my mum and dad’s bed with my sister. The bed was a boat and we were stuck out in the middle of the ocean. We had all the supplies we needed to survive. Every so often a storm would brew and we would need to build a sturdy shelter to withstand it. Once that was  done  we  would  then  set  up  our  supplies  readily  accessible  for  when  we  needed  them  in  our newly built shelter. And then the game was over. We had survived. 

Cut  to  now  as  an  adult. Although  I  can  recollect  the  game  vividly,  it  is  the feeling  of  playing  that game that has stayed with me the most. The security I felt under that shelter, the certainty of having  enough supplies and someone else there to go through it with. I find myself drawing on these memories today as we navigate this current storm of uncertainty and I  am  realising  the  significance  of  my  play  as  a  child-  having  already  played  out  these  familiar feelings of isolation and survival.  As  adults  we  could  look  at  that  play  frame  as  being  trivial  with  little  or  no  consequences.  As educators  though,  we  are  taught  to  extract  outcomes.  Lets  ask  ourselves  what  outcomes  we  could extract  from  watching  children  play  the  above  game?  Effective  communicators?  (agreeing  on  and sourcing supplies) Gross motor? (building a shelter) In fact the “outcome” was so profound and so intangible  that  no  adult  could  have  guessed  that  what  it  really  gave  me  was  a  strength  and  a controlled measure when faced with a future pandemic! The truth is we as adults can never ever fully determine what each child ‘gets’ out of their play or how they will draw on it in their future. And instead of trying to over intellectualise play by assuming  outcomes    (because  we  so  often  miss  the  mark)  we  should  be  respecting  it  more  deeply and endeavouring to understand the immense amount of power it holds in each of our lives.

Having the ability to tap into our childhood memories of play is extremely powerful and one that us as  educators  must  be  doing  on  a  regular  basis  in  order  to  better  respond  to  and  create  play affordances for the children we are working with.

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